Fear and Loathing in Mouschwitz: A Nauseous Ride Through the Creation and Commodification of the American Dream

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I will be doing some podcasts when it gets close to awards season, and I have been speaking with a few reporters at THR and Variety about my experiences. The fusion of a monstrous portrait and parts of Mickey Mouse’s face, Mouschwitz tethers between pure horror and a clownish effect. Twenty-five years after Katzenberg, Diller, and Ovitz started out as comrades, they mostly despise one another, and they utterly despise Eisner. A paperback version is planned for released in February 2018 with illustrations by John-Ross Boyce and design by Alex Alchwikani.

And, as with every episode, the views of the guest do not necessarily represent the views of the podcast or its founders. Probably because my background is in theatre, I am massively inspired by playwrights: Suzan-Lori Parks, Edward Albee, Tony Kushner, to name a few. He has worked on major programs and projects for Zentropa Productions, the Danish Film Institute, National Public Radio, Pacific Resident Theatre, the Walt Disney Company, Random House, and Fox. A psychedelic Bush-era flashback, laced with cynical humor and pop culture pastiche, "Mouschwitz" takes the reader on a dizzying journey through every nook and cranny of the entertainment industry, through multiple characters’ perspectives, as the author Snow blends pointed social commentary on sexual harassment, gender politics, and anti-LGBT discrimination in the industry with the dark and terrifyingly surreal.

There was a giant punk goddess with a green mohawk and full body armor screaming, “is it finally strong enough for you? At this juncture, there may not be enough for just a HKG only (though I may be wrong), but there is a growing diaspora with a need. He has a well-balanced, informed approach, great interpersonal skills, a mature debating style, and would be able to strike a great balance between how great Taiwan is and the interests of the wider community. Well, the inaugural HK Forumosa Happy Hour was held at very short notice on Friday night at 1/5th before rocking on down to the depths of Wanchai in the later hours.

Mouschwitz" is "The Devil Wears Prada" meets "Moulin Rouge", while they both get sucker punched by "Mulholland Drive", as Slavoj Žižek watches in hysterical fits of laughter.Based on Snow's real life experiences working for the Walt Disney Company, Snow's "Mouschwitz" uses his signature black humor, gonzo parody, and dark satire to expose the real-life systemic sexual harassment of LGBT employees stemming from top executives at Disney. Employees of WDW lovingly refer to it as Mouschwitz because of the Jack Boot tyranny of the management. I am currently finishing up my fourth novel, entitled “Bartians”, about the queer Southern experience. Disney employees who used this term were scolded at, and sometimes even fired, due to not fitting Disney Land and Disney World's ideal, family-friendly image.