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Mixing Secrets for the Small Studio (Sound On Sound Presents...)

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This is a very well written book covering many issues faced by someone who wants to take his/her audio mixing to the next level. He was the young "balance engineer" for The Beatles on Revolver through Abbey Road, with a spell off for later White Album and Let It Be.

Sound On Sound magazine’s mix specialist Mike Senior shows you how to achieve release-quality mixes even in the smallest studios, by applying power-user techniques from the world’s most successful producers. The reader is expected to have a basic level of underpinning knowledge about the fundamentals of sound, audio equipment, signal levels, production workflows and so on, although there are excellent additional resources on the dedicated web site (see below) to help if some of these aspects are unfamiliar. I've made quite a few changes to my "studio" where the book recommends them strongly to great effect. Much of it is beyond what I want or need to do -- the audience is people doing home mixing who want to make professional-sounding tracks. Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive.

Part 1 of Mixing Secrets begins with a detailed discussion across four chapters on how to choose and use nearfield monitoring, including understanding and working around the limitations of budget equipment, optimising the listening environment, and 'self calibration' using commercial music reference material. This book is a must-read for anyone interested in the fundamentals of mixing and time/project management, as well as the applications of these in live audio and in production. His book is packed with surprising insights and techniques which are - frankly - so simple that I while reading this, my forehead was beet red because I kept slapping it.

The final section comprises five chapters dealing with mix sweetening techniques, including the application of reverbs and delays, stereo processing and other effects, bus compression, and the use of mix automation. The main idea behind the whole thing is to teach ways of making your final work much more professional without relying on expensive equipments. This is what they've learned--their sage advice to impart on the next generation of engineers/producers.I really liked that he explained why he was doing things, instead of just saying "do this", as it helped me to adapt the methods to different situations and to really understand what I was doing, rather than following blindly. com/reviews/gear/91/mixing-secrets-for-the-small-studio-book) – “This book is gold… may bump your work forward by months or years. In the end, this may not have been exactly the right book for me, but I don't want to discount its value. Since 2007 he has transformed dozens of amateur productions for Sound On Sound magazine’s popular Mike Senior column, proving time and again that you can achieve commercial-grade results with affordable gear — once you know how! User-friendly explanations introduce technical concepts on a strictly need-to-know basis, while chapter summaries and assignments are perfect for school and college use.

Drawing on the back-room strategies of more than 160 famous names, this entertaining and down-to-earth guide leads you step-by-step through the entire mixing process. Regular Sound On Sound readers will already be familiar with Mike Senior's contributions to the ever‑popular Mix Rescue series, as well as his occasional (and usually lengthy! However, I can definitely see this as a book that remains on my shelf for reference and revision for a long time - beyond my student days. The book is structured in a progressive fashion, following a logical mixing workflow, and developing and building on ideas and techniques throughout.Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Mike Senior has written about a million things for Sound On Sound magazine, but I associate his name with their "Mix Rescue" column. with the emphasis always on helping the reader to understand when and why to use a particular technique, before explaining how in great practical detail.

If you already know everything, pick up a copy to skim, then gift it to a friend who's starting out. As a project studio operator, Mixing Secrets has been the single resource I can point to that got me over the hump and into the territory where I can begin seriously competing with established professionals - all while remaining on a humble budget.The book is interspersed with humor, which helps to mellow out the otherwise heady engineering lingo. About The Author: Mike Senior is a professional engineer who has worked with Wet Wet Wet, The Charlatans, Reef, Therapy, and Nigel Kennedy. On top of that, Mike Senior has a very enjoyable writing style - his personality and humor definitely shine through. The title is something of a misnomer because the advice and guidance contained are relevant to everyone involved in music engineering and production, at all levels and regardless of the size of the studio or its facilities. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions.

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